The 1980’s was the decade that really helped defined synth-pop; it was new, exciting, futuristic and most importantly, it was cool. A whole host of electronic artists emerged, the UK providing a good proportion of the talent with bands such as New Order, Soft Cell and Erasure. Today’s track was actually written by one half of Erasure, Vince Clarke, during his brief time writing and performing with his previous band Depeche Mode. It was the final single Clarke wrote for the group, leaving the band in November 1981 just 2 months after it was released.

‘Just Can’t Get Enough’ was the second single taken from the band’s debut album ‘Speak and Spell’ and the first of theirs to reach the top 10 in the UK singles chart. Reportedly inspired by ‘To Cut a Long Story Short’ by Spandau Ballet, it was Clarke’s desire to write fundamentally pop driven songs, as opposed to fellow band song writer Martin Gore who had much more of an interest in rock music, that fueled the decision to leave so early on.

As a pop song, ‘Just Can’t Get Enough’ ticks a lot of boxes in terms of structure and content. A simple but catchy synth hook and plenty of ‘call and response’ karaoke participation of the track’s title throughout, leads to a classic, memorable hit.

As always, you can check out the Ableton project file from the video using the link below.

Click here to download the Ableton project file

Reach out and touch faith,
Team Imaginando

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How to make the bass, keys and lead for Gui Boratto - 'Take My Breath Away'...

Published on 3 Dec 2018

This week we’re attempting to sonically take your breath away, with our DRC sound design tutorial for Gui Boratto’s 2009 smash ‘Take My Breath Away’.Born in São Paulo, Brazil, in 1974, Gui Boratto released his critically acclaimed debut album ‘Chromophobia’ in 2007 on well established german label Kompakt. Featuring tight production skills, driving rhythms and a clear love of melody, it’s easy to attribute such fine technical craftsmanship to Boratto’s many years working as a studio engineer for some of the biggest record labels worldwide.Fast forward to June of this year, Boratto proudly released his 5th studio album on Kompakt, whilst seeking out talent to put out on his very own D.O.C brand imprint, (conveniently distributed by Kompakt!) which he created in 2013.As evident in Gui’s final productions, he is inspired by the whole spectrum of life’s emotions and feelings, to create a diverse range of moods. Speaking about the creative process behind his 2018 album Pentagram he explains ‘It’s good to be happy, but also good to be sad, fragile or strong’.Aside from his own original production work, Gui has also had a steady stream of remix work for a suitably diverse selection of artists, including Pet Shop Boys, London Grammar and even made an appearance on the Halo 4 OST remix album. (Yes that is a real thing and no, we had no idea either!)Click here to download the Ableton project fileExhale, exhale, exhale…Team Imaginando...

How to make the bass and lead sounds from Extrawelt - 'Soopertrack' in DRC...

Published on 15 Nov 2018

Arne Schaffhausen and Wayan Raabe first met in the early 90s, born and raised in Hamburg, Germany, they both shared a passion for DJing and electronic music and both frequented record stores and parties, which brought them together. After some time together the natural progression was to want to make their own mark on the scene and start producing their own music, armed with a sampler and computer they set to work.Their big break happened in 2005 when 6 months after sending a demo to James Holden’s Border Community record label, James wrote back, eager to sign the track ‘Soopertrack’. The duo saw this as an opportunity to define a new period of their creative partnership by adopting a new artist name ‘Extrawelt’. Extrawelt’s Soopertrack was indeed a great signing for Border Community, a seamingly perfect fit for the track’s haunting sound and atmospheric production.Extrawelt are now also a fully fledged live act too, taking to the stage with dual laptops and an array of hardware like a Roland SH-101 and Elektron Machine Drum feeding a 24 channel mixer full of moods and emotion, delivering maximum movement of dance floors.Join us this week as we show you how to make the bass and lead sounds featured in Soopertrack, with of course the featured Ableton session available for you to download as usual!Click here to download the Ableton project file.Tonight’s a sooper trooper,Team Imaginando...

How to make the bass and lead sounds from Extrawelt - 'Soopertrack' in DRC...

Published on 15 Nov 2018

Arne Schaffhausen and Wayan Raabe first met in the early 90s, born and raised in Hamburg, Germany, they both shared a passion for DJing and electronic music and both frequented record stores and parties, which brought them together. After some time together the natural progression was to want to make their own mark on the scene and start producing their own music, armed with a sampler and computer they set to work.Their big break happened in 2005 when 6 months after sending a demo to James Holden’s Border Community record label, James wrote back, eager to sign the track ‘Soopertrack’. The duo saw this as an opportunity to define a new period of their creative partnership by adopting a new artist name ‘Extrawelt’. Extrawelt’s Soopertrack was indeed a great signing for Border Community, a seamingly perfect fit for the track’s haunting sound and atmospheric production.Extrawelt are now also a fully fledged live act too, taking to the stage with dual laptops and an array of hardware like a Roland SH-101 and Elektron Machine Drum feeding a 24 channel mixer full of moods and emotion, delivering maximum movement of dance floors.Join us this week as we show you how to make the bass and lead sounds featured in Soopertrack, with of course the featured Ableton session available for you to download as usual!Click here to download the Ableton project file.Tonight’s a sooper trooper,Team Imaginando...

How to make the bass, keys and lead for Gui Boratto - 'Take My Breath Away'...

Published on 3 Dec 2018

This week we’re attempting to sonically take your breath away, with our DRC sound design tutorial for Gui Boratto’s 2009 smash ‘Take My Breath Away’.Born in São Paulo, Brazil, in 1974, Gui Boratto released his critically acclaimed debut album ‘Chromophobia’ in 2007 on well established german label Kompakt. Featuring tight production skills, driving rhythms and a clear love of melody, it’s easy to attribute such fine technical craftsmanship to Boratto’s many years working as a studio engineer for some of the biggest record labels worldwide.Fast forward to June of this year, Boratto proudly released his 5th studio album on Kompakt, whilst seeking out talent to put out on his very own D.O.C brand imprint, (conveniently distributed by Kompakt!) which he created in 2013.As evident in Gui’s final productions, he is inspired by the whole spectrum of life’s emotions and feelings, to create a diverse range of moods. Speaking about the creative process behind his 2018 album Pentagram he explains ‘It’s good to be happy, but also good to be sad, fragile or strong’.Aside from his own original production work, Gui has also had a steady stream of remix work for a suitably diverse selection of artists, including Pet Shop Boys, London Grammar and even made an appearance on the Halo 4 OST remix album. (Yes that is a real thing and no, we had no idea either!)Click here to download the Ableton project fileExhale, exhale, exhale…Team Imaginando...

How to make the bass and lead sounds from Extrawelt - 'Soopertrack' in DRC...

Published on 15 Nov 2018

Arne Schaffhausen and Wayan Raabe first met in the early 90s, born and raised in Hamburg, Germany, they both shared a passion for DJing and electronic music and both frequented record stores and parties, which brought them together. After some time together the natural progression was to want to make their own mark on the scene and start producing their own music, armed with a sampler and computer they set to work.Their big break happened in 2005 when 6 months after sending a demo to James Holden’s Border Community record label, James wrote back, eager to sign the track ‘Soopertrack’. The duo saw this as an opportunity to define a new period of their creative partnership by adopting a new artist name ‘Extrawelt’. Extrawelt’s Soopertrack was indeed a great signing for Border Community, a seamingly perfect fit for the track’s haunting sound and atmospheric production.Extrawelt are now also a fully fledged live act too, taking to the stage with dual laptops and an array of hardware like a Roland SH-101 and Elektron Machine Drum feeding a 24 channel mixer full of moods and emotion, delivering maximum movement of dance floors.Join us this week as we show you how to make the bass and lead sounds featured in Soopertrack, with of course the featured Ableton session available for you to download as usual!Click here to download the Ableton project file.Tonight’s a sooper trooper,Team Imaginando...

How to make the bass, keys and lead for Gui Boratto - 'Take My Breath Away'...

Published on 3 Dec 2018

This week we’re attempting to sonically take your breath away, with our DRC sound design tutorial for Gui Boratto’s 2009 smash ‘Take My Breath Away’.Born in São Paulo, Brazil, in 1974, Gui Boratto released his critically acclaimed debut album ‘Chromophobia’ in 2007 on well established german label Kompakt. Featuring tight production skills, driving rhythms and a clear love of melody, it’s easy to attribute such fine technical craftsmanship to Boratto’s many years working as a studio engineer for some of the biggest record labels worldwide.Fast forward to June of this year, Boratto proudly released his 5th studio album on Kompakt, whilst seeking out talent to put out on his very own D.O.C brand imprint, (conveniently distributed by Kompakt!) which he created in 2013.As evident in Gui’s final productions, he is inspired by the whole spectrum of life’s emotions and feelings, to create a diverse range of moods. Speaking about the creative process behind his 2018 album Pentagram he explains ‘It’s good to be happy, but also good to be sad, fragile or strong’.Aside from his own original production work, Gui has also had a steady stream of remix work for a suitably diverse selection of artists, including Pet Shop Boys, London Grammar and even made an appearance on the Halo 4 OST remix album. (Yes that is a real thing and no, we had no idea either!)Click here to download the Ableton project fileExhale, exhale, exhale…Team Imaginando...

How to make the bass and lead sounds from Extrawelt - 'Soopertrack' in DRC...

Published on 15 Nov 2018

Arne Schaffhausen and Wayan Raabe first met in the early 90s, born and raised in Hamburg, Germany, they both shared a passion for DJing and electronic music and both frequented record stores and parties, which brought them together. After some time together the natural progression was to want to make their own mark on the scene and start producing their own music, armed with a sampler and computer they set to work.Their big break happened in 2005 when 6 months after sending a demo to James Holden’s Border Community record label, James wrote back, eager to sign the track ‘Soopertrack’. The duo saw this as an opportunity to define a new period of their creative partnership by adopting a new artist name ‘Extrawelt’. Extrawelt’s Soopertrack was indeed a great signing for Border Community, a seamingly perfect fit for the track’s haunting sound and atmospheric production.Extrawelt are now also a fully fledged live act too, taking to the stage with dual laptops and an array of hardware like a Roland SH-101 and Elektron Machine Drum feeding a 24 channel mixer full of moods and emotion, delivering maximum movement of dance floors.Join us this week as we show you how to make the bass and lead sounds featured in Soopertrack, with of course the featured Ableton session available for you to download as usual!Click here to download the Ableton project file.Tonight’s a sooper trooper,Team Imaginando...