Arne Schaffhausen and Wayan Raabe first met in the early 90s, born and raised in Hamburg, Germany, they both shared a passion for DJing and electronic music and both frequented record stores and parties, which brought them together. After some time together the natural progression was to want to make their own mark on the scene and start producing their own music, armed with a sampler and computer they set to work.

Their big break happened in 2005 when 6 months after sending a demo to James Holden’s Border Community record label, James wrote back, eager to sign the track ‘Soopertrack’. The duo saw this as an opportunity to define a new period of their creative partnership by adopting a new artist name ‘Extrawelt’. Extrawelt’s Soopertrack was indeed a great signing for Border Community, a seamingly perfect fit for the track’s haunting sound and atmospheric production.

Extrawelt are now also a fully fledged live act too, taking to the stage with dual laptops and an array of hardware like a Roland SH-101 and Elektron Machine Drum feeding a 24 channel mixer full of moods and emotion, delivering maximum movement of dance floors.

Join us this week as we show you how to make the bass and lead sounds featured in Soopertrack, with of course the featured Ableton session available for you to download as usual!

Click here to download the Ableton project file.

Tonight’s a sooper trooper,
Team Imaginando

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In the world of electronic music, Daft Punk need no introduction. Effortlessly cool, they’ve built a unique brand that’s as recognisable by sight as it is by sound, with technology forming the backbone of their image. Robots are cool, flashing LED lights are cool, and with Daft Punk you get both; iconic helmets and hi-tech futuristic outfits have been a fashion fixture since the emergence of the robot personas the Parisian pair adopted.On September 9th 1999, three months before the world was scheduled to end due to the infamous ‘millennium bug’, a sampler they were using randomly crashed and exploded, (reportedly because the date was 9/9/99) literally sparking the creation of the robots. The idea was a perfect fit for the DJ duo to maintain their anonymity, having previously sported a farago of face masks during their early live gigs together.With a style inspired and influenced by science fiction films, Daft Punk were an obvious choice for the director of 2010’s ‘Tron Legacy’ Joseph Kosinski when deciding who would score the film’s soundtrack. When asked about his decision prior to the film’s release at San Diego Comic Con 2009, he replied with a rhetorical ‘How could you not at least go to those guys?’.Thankfully Daft Punk said yes of course, and we have a fantastic, atmospheric, synth orchestral fusion soundtrack as a result. We take a look at the beautiful ‘Son Of Flynn’ in this week’s video as we recreate the track’s arpeggio, bass and pad sounds using DRC, with a little help from DLYM and K7D too.Click here to download the Ableton project fileProviding techno logic around the world,Team Imaginando...