Arne Schaffhausen and Wayan Raabe first met in the early 90s, born and raised in Hamburg, Germany, they both shared a passion for DJing and electronic music and both frequented record stores and parties, which brought them together. After some time together the natural progression was to want to make their own mark on the scene and start producing their own music, armed with a sampler and computer they set to work.

Their big break happened in 2005 when 6 months after sending a demo to James Holden’s Border Community record label, James wrote back, eager to sign the track ‘Soopertrack’. The duo saw this as an opportunity to define a new period of their creative partnership by adopting a new artist name ‘Extrawelt’. Extrawelt’s Soopertrack was indeed a great signing for Border Community, a seamingly perfect fit for the track’s haunting sound and atmospheric production.

Extrawelt are now also a fully fledged live act too, taking to the stage with dual laptops and an array of hardware like a Roland SH-101 and Elektron Machine Drum feeding a 24 channel mixer full of moods and emotion, delivering maximum movement of dance floors.

Join us this week as we show you how to make the bass and lead sounds featured in Soopertrack, with of course the featured Ableton session available for you to download as usual!

Click here to download the Ableton project file.

Tonight’s a sooper trooper,
Team Imaginando

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How to make the bass, organ and steel drum sounds from Flume & Chet Faker 'Drop The Game' in DRC...

Published on 13 Jun 2019

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How to make the bass, organ and steel drum sounds from Flume & Chet Faker 'Drop The Game' in DRC...

Published on 13 Jun 2019

The secret behind every great double act is the way in which the two component parts work together, with successful compatibility achieved from either similarity or difference. Scottish duo The Proclaimers for example, have the biological advantage when it comes to similarity as they are twin brothers, so it’s no surprise their voices are homogeneously harmonious.There are far more examples of the second kind of partnerships though, where the contrast of the pair’s opposing attributes/flavours/tropes delivers a satisfying result. With our narrative established, let’s now look at how it applies to Austrailian collaborators Flume and Chet Faker, and their track ‘Drop The Game’.Harley Streten (Flume) and Nick Murphy (Chet Faker) first worked together in 2012 on ‘Left Alone’, a track from Flume’s self-titled debut album, before teaming up again in 2013 for the EP ‘Lockjaw’, which included ‘Drop The Game’. It’s easy to be swept away by Chet Faker’s soulful wandering vocals, just like the artist his pun-pleasing stage name pays homage to; jazz trumpeter Chet Baker. However, keeping things in line is Flume’s tight production, with punchy beats rhythmically slicing the mix into beat sized ear-fulls.Stripped back sections where your mind can float off into a daydream, are followed by a soberingly swift return back to earth, when the gravity of the percussive elements kicks back in. The catchy melody is punctuated with little rests, repetition keeps things moving but with a reluctant dragging of the heels.It’s another triple threat tutorial as we show you how to make the bass, organ and steel drum sounds for yourself with DRC.Click here to download the Ableton project fileWe’re dropping knowledge,Team Imaginando...