Arguably the record which single handedly brought mass attention to the record label ‘Get Physical’, M.A.N.D.Y. vs Booka Shade - ‘Body Language’ was a summer sensation back in 2005, and was even crowned ‘Ibiza Song of the Season’ at the 20th annual DJ Awards that year. In fact it turned out to be a very good year indeed for Get Physical, becoming the best selling label across all genres on Beatport at the time; a worthy winner of DJ Magazine’s ‘Label Of The Year’ award.

Founded just 3 years earlier as a joint venture between Patrick Bodmer & Philipp Jung (M.A.N.D.Y.), Walter Merziger, Arno Kammermeier & Peter Hayo (Booka Shade) and Thomas Koch (DJ T) with the powerhouse of modern electronic music Berlin as their base.

Body Language received a couple of post-release remixes, and in 2007 was sampled by Will.I.Am for ‘Get Your Money’ - it was actually released as a single, but it’s hardly the most memorable reworking of the instrumental into a vocal, that prize goes to Jax Jones - You Don't Know Me ft. RAYE from 2016. Infinitely more catchy, it was well received and saw chart success across many parts of europe, making it inside the top 5 in several countries.

Click here to download the Ableton project file

Let’s get physical,
Team Imaginando

latest news

How to make the bass and pad sounds from Nathan Fake 'Outhouse' with DRC...

Published on 22 Mar 2019

Back in November of 2018 we took on the bass and keys sounds from Nathan Fake’s ‘The Sky Is Pink’, and today we’re going all the way back to his first ever release on the Border Community label, ‘Outhouse’.Released in 2003, Outhouse was championed by label boss James Holden and was heard across dance floors globally, before its November Border Community vinyl pressing. The ‘Main Mix’ is a generous ten and a half minutes long, with a couple of breakdowns offering creative flexibility when it comes to mixing it into sets. That’s a luxury you don’t get with modern day five minute EDM tracks!With space for each phase to breathe and develop, the overarching narrative of the track can be easily appreciated with minimum effort. The opening is quite tribal, rhythmic congas draw you in with their growing delay and a bassline with the stealth of ninja appears before you realise. The hypnotic whining and droning of the pads/synths LFOs are prevented from putting you in a completely sedative trance-like state by the drilling bass, pushing and prodding you forward. The interaction between these two opposing forces is what holds your interest throughout, just like a captivating story; the Jekyll and Hyde off techno.Learn how to create the bass and pad sounds from Nathan Fake - ‘Outhouse’ for yourself, with this week’s DRC Sound Design Tutorial video.Click here to download the Ableton project fileOut of one house, into another,Team Imaginando...

How to make the bass and FX sounds from Azazri & III 'Manic' with DRC...

Published on 15 Mar 2019

In the over-saturated market of electronic dance music, it's often the quirkier acts and artists that are the most memorable. Making music has never been easier, and now that anyone with a laptop can produce club-worthy tracks, the process of getting noticed is no longer just a case of letting your music speak for itself.'Image is everything'. Well, not quite everything, you still need to sound good, but for the Instagram generation, it's arguably just as important. It adds to the overall experience, and some artists even go so far as to create a whole narrative that surrounds everything they do, the futuristic robots of Daft Punk are probably the most famous example in house music.The artist behind this week's featured track was more flamboyant than futuristic, 'Azari & III' spent just five years together after first meeting at a Karaoke bar in their native Canada, in 2008.Today we're looking at their 2011 single 'Manic' which was released alongside the only studio album the band recorded together, before going their separate ways in 2013. Confirmation of the split was delivered in a suitably theatrical Facebook post by Alphonse Alixander Lanza III:‘Ladies and gentleman, boys and girls, the art project known as AZARI & III has done its work, run its course and is, for all intents and purposes, a momentary blip in time, now forever imprinted on the Universe. Our recent EP entitled “Extinction Event” was just that, an extinguishing of the flame and a bird into the fire of blissful, eternal oblivion.’Click here to download the Ableton project fileWe’re playing manic minor,Team Imaginando...

How to make the bass and pad sounds from Nathan Fake 'Outhouse' with DRC...

Published on 22 Mar 2019

Back in November of 2018 we took on the bass and keys sounds from Nathan Fake’s ‘The Sky Is Pink’, and today we’re going all the way back to his first ever release on the Border Community label, ‘Outhouse’.Released in 2003, Outhouse was championed by label boss James Holden and was heard across dance floors globally, before its November Border Community vinyl pressing. The ‘Main Mix’ is a generous ten and a half minutes long, with a couple of breakdowns offering creative flexibility when it comes to mixing it into sets. That’s a luxury you don’t get with modern day five minute EDM tracks!With space for each phase to breathe and develop, the overarching narrative of the track can be easily appreciated with minimum effort. The opening is quite tribal, rhythmic congas draw you in with their growing delay and a bassline with the stealth of ninja appears before you realise. The hypnotic whining and droning of the pads/synths LFOs are prevented from putting you in a completely sedative trance-like state by the drilling bass, pushing and prodding you forward. The interaction between these two opposing forces is what holds your interest throughout, just like a captivating story; the Jekyll and Hyde off techno.Learn how to create the bass and pad sounds from Nathan Fake - ‘Outhouse’ for yourself, with this week’s DRC Sound Design Tutorial video.Click here to download the Ableton project fileOut of one house, into another,Team Imaginando...

How to make the bass and FX sounds from Azazri & III 'Manic' with DRC...

Published on 15 Mar 2019

In the over-saturated market of electronic dance music, it's often the quirkier acts and artists that are the most memorable. Making music has never been easier, and now that anyone with a laptop can produce club-worthy tracks, the process of getting noticed is no longer just a case of letting your music speak for itself.'Image is everything'. Well, not quite everything, you still need to sound good, but for the Instagram generation, it's arguably just as important. It adds to the overall experience, and some artists even go so far as to create a whole narrative that surrounds everything they do, the futuristic robots of Daft Punk are probably the most famous example in house music.The artist behind this week's featured track was more flamboyant than futuristic, 'Azari & III' spent just five years together after first meeting at a Karaoke bar in their native Canada, in 2008.Today we're looking at their 2011 single 'Manic' which was released alongside the only studio album the band recorded together, before going their separate ways in 2013. Confirmation of the split was delivered in a suitably theatrical Facebook post by Alphonse Alixander Lanza III:‘Ladies and gentleman, boys and girls, the art project known as AZARI & III has done its work, run its course and is, for all intents and purposes, a momentary blip in time, now forever imprinted on the Universe. Our recent EP entitled “Extinction Event” was just that, an extinguishing of the flame and a bird into the fire of blissful, eternal oblivion.’Click here to download the Ableton project fileWe’re playing manic minor,Team Imaginando...