Review: Imaginando FRMS

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By the time we reached the 20th century and the advent of the electronic age, sound creation had been elevated into a science in its own right. By now, we had a plethora of new techniques with which to craft new sounds and instruments. The invention of computing and digital-signal processing would truly revolutionise music and sound design once again, unshackling them from the expense, bulk and complexities of physical circuitry (or indeed rock formations), and thereby allowing synth designers to combine disparate techniques in any way they could imagine – all of which brings us neatly to FRMS.

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